miércoles, 28 de marzo de 2012

SONG 1 (ALL LEVELS)

Hi!! Here is a beautiful song for you to enjoy. Remember that listening to music improves our vocabulary and our pronunciation. The song in this post is "Every breath you take" by The Police. Here are some songfacts:
This is one of the most misinterpreted songs ever. It is about an obsessive stalker, but it sounds like a love song. Some people even used it as their wedding song. The Police frontman Sting wrote it after separating from his first wife, Frances Tomelty. In a 1983 interview with the New Musical Express, Sting explained: "I think it's a nasty little song, really rather evil. It's about jealousy and surveillance and ownership." Regarding the common misinterpretation of the song, he added: "I think the ambiguity is intrinsic in the song however you treat it because the words are so sadistic. On one level, it's a nice long song with the classic relative minor chords, and underneath there's this distasteful character talking about watching every move. I enjoy that ambiguity. I watched Andy Gibb singing it with some girl on TV a couple of weeks ago, very loving, and totally misinterpreting it. (Laughter) I could still hear the words, which aren't about love at all. I pissed myself laughing." This was the biggest hit of 1983. It was US #1 for 8 weeks. Sting wrote this at the same desk in Jamaica where Ian Fleming wrote his James Bond Novels. The recording process created a great deal of tension in the studio. Sting was very particular about his song and would not let the other members of The Police (Andy Summers and Stuart Copeland) do much with it. The Police broke up after this album. The middle of the song was finished last. They didn't know what to do with it until Sting sat at a piano and started hitting the same key over and over. That became the basis for the missing section. Sting knew this would be the band's biggest hit when he wrote it, even if he didn't think he was breaking new ground. In Rolling Stone magazine, he said: "'Every Breath You Take' is an archetypal song. If you have a major chord followed by a relative minor, you're not original." (thanks, Bertrand - Paris, France) This won Grammys in 1984 for Song Of The Year and Best Pop Performance By Duo Or Group With Vocal.

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